Chasing The Dead
my early career as a news reporter and photographer I witnessed a lot of gory scenes that remain fixed in my mind. I can say
from personal experience that there is even a smell of death that is unlike any other odor one can ever experience.
working as a bureau reporter in South Haven, Michigan, for the former News Palladium that published in Benton Harbor, my editor
liked to use as much art as possible to tell the stories of major news events. That meant publishing photographs of every
local person killed in traffic accidents, drowning, shootings, and worst-of-all, the Vietnam War. We also attempted to get
pictures of every fatal traffic accident and every violent death scene, if at all possible. Consequently I was constantly
on police call. It was rare when I didn’t spent a Saturday night shooting pictures of tangled wreckage on some highway.
the years I worked on that bureau, I witnessed some extremely terrible scenes. And sometimes I photographed them under darkness
without realizing it. One night while at a multiple-car crash scene on the notorious Dead Man’s Curve, a well-known
place along the old Blue Star Memorial Highway in Allegan County, I was working in the dark of night and focusing my camera
on the lights from police flashlights. The next morning after developing my film, my editor informed me that I got a great
picture of the wreck. The only problem, he said, was that a dead body was hanging halfway out of the open door.
we published wreck pictures, we drew the line on dead bodies. We also published pictures of people still trapped inside of
wrecks as long as they were still alive. I always thought pictures of suffering and still living people was worse than pictures
of dead bodies. But that was just my personal opinion. You get sensitive to stuff
like that after years of being at the scenes and hearing the screams of people as they were being cut out of wreckage by fire
fighters using the Jaws of Life equipment. The dead were just that, the dead.
at the scene of drowning and saw the bodies after rescue workers dragged them out of lakes, gravel pits and other strange
places. I covered holes in the ice where snowmobiles and their riders had fallen through to die. I saw the bodies of people
who froze to death. I remember one man found frozen solid while seated along the highway. He looked more like a statue than
the body of a real human being.
when the victim of a fatal crash, drowning, or other terrible event lived within our reading area, the rule was that I was
to attempt to get a picture of the person to appear with the story about his or her death. That was the hardest part of my
job. I had to go to the home of the victim, knock on the door and ask for that picture. I found that the best time to do this
was as soon as possible after the police came to give the survivors the dreadful news. People were always in a state of shock
and disbelief, and often gave up those treasured photographs without thinking. Sometimes the pictures were taken right off
of the mantle or some other piece of furniture in the home and I knew they may be the best and only image in existence. Consequently
I treated those pictures with great respect. I usually drove them personally to the Benton Harbor office, waited until the
image was copied by our photography department, and then returned the picture directly to the place where I got it. I made
sure the pictures were always returned and undamaged.
one case when two little boys got their hands on a loaded revolver and one boy shot the other to death. It happened at some
remote rural location that was extremely hard to find. Once I found the house, the parents of the child informed me that they
had one picture but would not part with it. They agreed, after some coaxing, to let me photograph the picture. Fortunately
I had some training in photo copying and had just the camera to do it. We were still using those big Speed Graphic cameras
with four by five-inch film plates that slid into the back of the camera. The cameras could be opened in the back for precise
focusing on objects like the picture of a little boy. I remember that I propped the picture up against a wall, set the camera
carefully on some books so that it would not jiggle, opened the back and carefully focused. Instead of using a flash I brought
extra lamps up close and set my F-stop for available light. Because I knew I was only going to have one chance at it, I shot
several pictures, resetting my shutter speed and the amount of light allowed through the camera lens. It worked. I got some
very good pictures while working under extremely uncomfortable conditions in a house full of mourning people.
some of those homes in Allegan and Van Buren Counties was sometimes strange. The roads all had names, but there were few road
markers once you left the main highways. Consequently people would give directions by saying: “Go three and a half miles
north, then east four miles, then south a quarter mile. We are the first house on the left.” Directions like that usually always worked.
Lyndon Johnson became president, the Vietnam War escalated and they began bringing the American soldiers home in body bags
by the plane-load. There was rarely a week that passed that I didn’t have to knock on somebody’s door in my area
and ask for a picture of a war casualty. Before that ugly war came to an end, there were few people who hadn’t lost
a loved one, a friend, or at least knew someone in their neighborhood who lost a son or husband in battle. Over 58,000 U.S.
soldiers were killed in that war.
pictures of dead soldiers was much harder to do than following police to the door after a fatal car crash. People were notified
long before I got there, the shock of the moment had passed, and the images I sought were recognized as something the wives,
mothers and relatives were not willing to hand off to a stranger. It took special finesse to coax those pictures from those
hands. I was so moved by the grief expressed by some families that I occasionally found myself crying with them in their kitchens.
I have always hated the concept of war. The Vietnam conflict was so ugly that the experience of grieving with the families
of dead American soldiers hardened my heart even more to ever sending our finest young people off to die in useless combat.
I also was keenly aware that but for a head injury sustained in a bad wreck in my college days, I might also have been a death
count of that senseless war instead of writing about the ones that didn’t come home alive.